Press Reviews for I See The Sign
- PopMatters
- Touching Extremes
- All Music
- The Independent
- Pitchfork
- HeadphoneCommute
- Headphonecommute ITV
- Drownedinsound
- PrefixMag
- Magnet
- Phoenix
- Hartfordadvocate
- Their Bated Breath
- Self-titledmag
- PaperMag
- DustedMagazine
- Time Out NY - Sam Amidon at 92YTribeca
- NY Times Critics' Choice
- Obscure Sound
- Crawdaddy Magazine
- MOJO
- Folk Radio
- Skope
- Stereo Subversion
- The Milk Factory
- Spin Magazine
- Boomkat
- All Gigs
- god is in the tv
- Pitchfork
An indication of the changing terrain of folk music can be gleaned from American singer Sam Amidon's fourth solo album I See The Sign.
Where once it was the preserve of horny-handed sailors, farm labourers and industrial activists, folk nowadays takes its lead from the hippie variant devised by such as John Martyn and The Incredible String Band. Accordingly, the mostly traditional material covered here by Amidon is swathed in the string and horn arrangements of Nico Muhly and embellished with the worldly percussion and textural contributions of Shahzad Ismaily, resulting in a chamber-folk blend with ethnic touches. The opener "How Come That Blood" is typical, with thumb-piano and guiro forming a percussion bed for Amidon's drawled delivery. Even an unexpected cover of R. Kelly's "Relief" takes on a sanctified tone here.
Andy Gill
The Independent (April 23rd 2010)
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Discography
I See The Sign
Released on 19 April 2010
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All is Well
Released on 22 October 2007
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On the web
- Find out more on Sam Amidon’s website
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Press tools
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