- Grýlukvæði 04:51
- Dreamland 03:46
- Past Tundra 05:06
- "I offer prosperity and eternal life..." 01:51
- Laxness 01:20
- Hot Ground, Cold 01:46
- Draumaland 02:28
- Economic Hitman 01:15
- Cold Ground, Hot 04:43
- Beyond The Moss 02:55
- Nowhere Land 04:54
- Helter Smelter 04:17
Valgeir Sigurðsson has made his name as an exponent of musical subtlety. As an engineer and producer, he's often focused on the intimate, the miniature. On his solo debut Ekvílibríum, his songwriting and composition tended towards the muted or the oblique. His best-known work is punctuated with question marks and ellipses, and not so many exclamation points.
But this is only one side of his musical capabilites. Draumalandið (“Dreamland”), a documentary about the exploitation of Iceland's natural resources, tells a story about huge things—the fortunes of a whole nation; the destruction of vast landscapes; and the global economic forces, greater still than any nation, that fuel it all—and for his soundtrack to the film, Valgeir has brought out a heavier set of tools. His entire roster of Bedroom Community labelmates contributes in some way to the creation of the score: classical composers Nico Muhly and Daníel Bjarnason, industrial wizard Ben Frost, and American folksinger Sam Amidon, along with a host of others, and the small orchestra assembled for the record swells from moments of expansive beauty into massive, surging symphonic force. Its harmonies are anxious, pulsing, driven.
What the press says
Here, Sigurðsson adopts a restrained approach to the soundtrack to a particularly grave film, and he does so with great lucidity, underlying the content with powerful yet discreet touches. His greatest achievement is to manage to give the music an identity away from the images it was written for.
On Draumalandid, a soundtrack for a new Icelandic environmental documentary, Valgeir Sigurðsson goes the extra mile to produce work that stands up against the best of its genre.
Sigurðsson’s touch is at its most precise here, crafting an emotional weight that is moving, but not overstated. With such a keen ear for composition and flow, Sigurðsson has created a score that sounds remarkably evocative of the film’s main themes, while still able to stand alone as an album. At the very least, Draumalandið is another brilliant showcase of Bedroom Community’s burgeoning potential.
“Draumalandið is a forceful and poignant piece of work, and as part of the larger film project its quite outstanding.”
“Starting with a vocal number and ending with harrowing bombast, this soundtrack covers a lot of ground with grace…”
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Sounds From A Safe Harbour (James McVinnie, Valgeir Sigurðsson, Nadia Sirota, Sam Amidon)
On the web
- Find out more on Valgeir Sigurðsson’s website
- Check out Valgeir Sigurðsson’s page on Facebook
- Follow Valgeir Sigurðsson on Twitter