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23 February 2012

Valgeir Scores The Architecture Of Loss

Valgeir Sigurðsson recently finished scoring the The Architecture of Loss, a dance piece by celebrated choreographer Stephen Petronio.

The Architecture of Loss is about formation and disintegration, the physical manifestations of "losing" and all that implies. Both formal and emotional, the work reaches for the immediacy and unpredictability of "disappearing" through constantly morphing, visceral structures.

Valgeir's score features contributions from Nico Muhly and is performed live by Valgeir with longtime Bedroom Community collaborators Shahzad Ismaily and Nadia Sirota. You can hear snippets of the music and learn more about this special collaboration in the videos below.

The piece is performed by the Stephen Petronio Company, with costumes by designers Guðrun and Guðrun and lighting by designer Ken Tabachnick featuring images from painter Rannvá Kunoy. 

The Architecture of Loss  premiers at New York's Joyce Theathre on March 6 and will run until March 11. The evening also includes City of Twist, a 2002 collaboration with artist/composer Laurie Anderson.

To purchase tickets go here.
 



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What the press says

 Here, Sigurðsson adopts a restrained approach to the soundtrack to a particularly grave film, and he does so with great lucidity, underlying the content with powerful yet discreet touches. His greatest achievement is to manage to give the music an identity away from the images it was written for.  

The Milk Factory (February 24th 2010) ★★★★★★★★★ Read all reviews

 On Draumalandid, a soundtrack for a new Icelandic environmental documentary, Valgeir Sigurðsson goes the extra mile to produce work that stands up against the best of its genre.  

Brian Howe — Pitchfork (March 3rd 2010) ★★★★★★★★ Read all reviews

Sigurðsson’s touch is at its most precise here, crafting an emotional weight that is moving, but not overstated. With such a keen ear for composition and flow, Sigurðsson has created a score that sounds remarkably evocative of the film’s main themes, while still able to stand alone as an album. At the very least, Draumalandið is another brilliant showcase of Bedroom Community’s burgeoning potential.    

“Draumalandið is a forceful and poignant piece of work, and as part of the larger film project its quite outstanding.”

Matt Poacher — The Line of Best Fit (March 16th 2010) Read all reviews

“Starting with a vocal number and ending with harrowing bombast, this soundtrack covers a lot of ground with grace…”

Greg Argo — Adequacy (June 22nd 2010) Read all reviews

“...everything about this collection of feelings, emotions and resonant creative constructions is pretty much immaculate.”

Joe Shooman — Grapevine (September 2nd 2010) Read all reviews

"The strength of Ekvílibríum is in the organic way [Sigurðsson] weds the electronic to the human... The result is a singular album, as ornate as it is direct."

Alex Waxman — The Fader Magazine (May 1st 2007) Read all reviews

"...almost collapses under the power of its own trembling beauty... Valgeir Sigurðsson delivers his bonded masterpiece... prepare to be dazzled."

George Bass — god is in the tv (June 21st 2007) ★★★★★★★★★★ Read all reviews

"Valgeir Sigurðsson is the most welcoming and thoughtful of hosts and, as he leads his companions through various narratives, he orchestrates one of the most exhilarating and perfect records you’ll hear this year."

themilkman — The Milk Factory (August 3rd 2007) Read all reviews

"an album for all connoisseurs of recorded sound, marrying exceptional electronic detail with real instrumentation on a grand scale."

Boomkat — Boomkat (September 1st 2007) Read all reviews

"...this is wonderful stuff"

Danny Clark — The Times (September 29th 2007) ★★★★★★★★ Read all reviews

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Music For Solaris
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Bartók Béla National Concert Hall
Budapest (Hungary)

May 25

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