News
27 March 2012
Ben Scores ‘Rausch’
Ben Frost has composed an original score for his first ever German-speaking theatre piece - Rausch.
Seven dancers and five actors set off in search of the ultimate high, an escape from the forces of our controlled liberal society, a departure into a life of unexpected intensity and unknown freedom.
The coupling of the human species in the urban centres of the Western hemisphere has become extremely complex. And the ecstasy of love, our final utopia, has been transformed into a highly competitive market. Once love has been found, then the work begins: on our relationship and on ourselves. But where can we still find this ecstasy of feelings, the all-consuming passion which gives life its meaning and depth, this transcendent experience which lights up our secure everyday existence?
Rausch is a music theatre production by Falk Richter (playwright and resident director at Düsseldorfer Schauspielhaus) and Anouk van Dijk (choreographer and founder of dance company anoukvandijk dc).
The world premiere of the piece takes place in Düsseldorf on April 14th and will then be performed on April 15-19. Extensive supporting programme includes a dance workshop, video screenings, discussions and lectures as well as a special event on April 1st where Ben will host a listening session and discussion on the workings behind the score (free of charge and open to everyone).
For further info and tickets, go here.
Picture: ©toniomodio.com
TweetWhat the press says
Keith Pishnery — Word - Like a Scientist (September 19th 2009) Read all reviews
themilkman — The Milk Factory (September 25th 2009) Read all reviews
Boomkat (October 1st 2009) Read all reviews
Richard Allen — The Silent Ballet (October 5th 2009) Read all reviews
Headphone Commute (October 18th 2009) Read all reviews
Chris Power — Drowned in Sound (October 21st 2009) Read all reviews
Ryan Hall — In Your Speakers (November 1st 2009) Read all reviews
David Stubbs — BBC (November 10th 2009) Read all reviews
Like a great horror film where one wants desperately to look away but cannot, it attracts and repels so convincingly that one must listen to it over and again in order to uncover its many—often terrible—secrets.
All Music (December 3rd 2009) Read all reviews
Frost's work is more than a hall of terrors: These vivid instrumentals, which seem menacing at first, also feel somehow triumphant when heard again – new details becoming more crucial. By the Throat might frighten on the first listen, and it might shock by the 12th. But, somewhere in between, Frost – both a compelling new musical dramaturge and arranger – might just show you the silver lining of all these fears.
Grayson Currin — Pitchfork (March 5th 2010) Read all reviews
Todd Burns — Stylus Magazine (December 14th 2006) Read all reviews
Atli Bollason — Morgunblaðið (December 23rd 2006) Read all reviews
Seb — Cyclinc Defrost Magazine (January 7th 2007) Read all reviews
Mapsadaisical — Mapsadaisical (February 17th 2007) Read all reviews
Dan Warburton — The Wire (March 1st 2007) Read all reviews
An easy album this is not, as it willfully (and playfully) antagonizes the listener, but it contains unsuspected moments of beauty.
All Music (March 5th 2007) Read all reviews
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