27 April 2010
How Come That Blood — Live
Have you all got your hands on I See The Sign by Sam Amidon?
"These are songs to live by (or in).." said Pitchfork in a recent 8.1 review. Pick up a copy at our store and judge for your self. And fresh from the Moby Dick editing-suite, here is a video filmed on the last Whale Watching Tour (which is currently blazing across Europe).
What the press says
Sam Amidon sees no difference between a 19th-century folk ballad and a 21st-century avant-garde instrumental suite. In bridging the very old and the very new... he has managed to meld the rural and the urban, the organic and the synthetic, the oral tradition and the written score
“The combination of artists on this album deliver such an intense experience and I can’t help but be fascinated by it all. I’m quite in awe to be honest, and I use such words very sparingly when I talk about music. This is certainly his best work to date.”
Amidon - with Sigurdsson, Muhly, multi-instrumentalist Shahzad Ismaily and on Beth Orton - brings a heightened reality and off-register colour to these black-and-white broadsides.
[These performances] are passively beautiful, combed-over, thought-out, and then re-remembered fondly, wistfully... Yet that passivity is the key to the earnest openness that makes Amidon’s new album transcend.
I’ll keep it short, because the more time you spend reading this, the less time you have to listen to Sam Amidon’s new album, I See The Sign, and it would really be a shame if you didn’t spend the next occasion you find yourself alone in the company of these friendly, forgiving, firelit songs.
Two and a Half Questions with Sam Amidon
Sam Amidon’s music is bigger and better than any retrospective reworkings. For this is contemporary music, providing an outlet for forgotten sounds and breathing oxygen into new creations.
I See the Sign ... his interpretations are so singular that it stops mattering how (or if) these songs existed before—all that matters is how they exist now.
...Amidon’s instincts and talents as a musical conservationist, interpreter, and reanimator are to be wholly trusted and cherished.
“this IS an epochal masterpiece – placing it side by side with the finest albums of the last four decades”
As with ‘All Is Well’, there are arrangements here that take your breath away…....this album is another complete success for the most interesting and promising folk musician in North America today
...a very pleasant modern folk album filled with interpretations of older public domain standards.
All Is Well a very forward-thinking album, despite its reliance on traditional tunes. With his team of musicians working so closely together, Amidon doesn't just update the old world to the new, but finds the roots of the new world in the old.
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